An exercise in autobiographical storytelling and archive, this project aims to capture the complex web of narratives within my childhood home. The book juxtaposes family photography, archival materials related to an assassination that occurred at the house’s doorstep a decade before we moved in, stills from an Iranian film called Kandahar, which stars the former assassin 20 years after the killing, staged real estate photos of the house as it was being sold in 2013, and an interview between my father and I, about our memories of the house.